google-site-verification: google615fe10ab62068fe.html
This formal kurotomesode represents the outer garment of a kasane (layered) set designed for the most prestigious occasions. The garment's dramatic black silk ground creates a sophisticated backdrop for the carefully orchestrated floral composition positioned strategically at the hem, following the formal conventions of kurotomesode design. The understated elegance of the predominantly black surface, punctuated only by small white family crests (mon) at the shoulders and chest, demonstrates the aesthetic principle of restraint that characterizes the highest levels of Japanese formal wear.
The floral motifs at the hem showcase a masterful integration of multiple decorative techniques, each employed to achieve specific visual and textural effects. The composition features seasonal flowers including what appears to be narcissus, plum blossoms, and other spring blooms, arranged in naturalistic clusters that seem to emerge organically from the garment's lower edge. This strategic placement follows the classical Japanese approach to kimono decoration, where motifs are concentrated in areas that create visual impact while maintaining the garment's overall dignity and formality.
The detail reveals the extraordinary technical complexity of this mixed-media approach to textile decoration. The white narcissus flowers demonstrate sophisticated embroidery work, with individual petals created through padded satin stitch techniques that give them dimensional quality and lustrous surface texture. The golden yellow centers are achieved through a combination of embroidery and metallic thread work that catches light beautifully. The yuzen-painting technique is evident in the subtle color gradations of the leaves and stems, where soft blues and greens blend seamlessly into the black ground, creating depth and naturalistic modeling. Additional brush painting adds fine linear details and accent colors that enhance the overall botanical accuracy of the design.
This combination of embroidery, yuzen-painting, and brush painting represents the pinnacle of early 20th-century Japanese textile artistry, where traditional techniques were refined to achieve unprecedented levels of sophistication. As part of a kasane set, this kurotomesode would have been worn over coordinating under-layers, creating a complex ensemble appropriate for the most formal ceremonies such as weddings or imperial functions.
It measures 49 inches (124 cm) from sleeve-end to sleeve-end, standing at a height of 61 inches (155 cm).