This kurotomesode possesses a deep brown-black ground, serving as a dramatic canvas for delicate floral bouquets positioned strategically at the hem, following the formal conventions of this most prestigious category of women's kimono. The restrained placement of decoration reflects the Japanese principle of ma (negative space), where vast areas of unadorned silk create a sense of elegant minimalism that would later influence international modernist design.

The artistic execution demonstrates the extraordinary technical refinement of yuzen painting, embroidery, and stenciling working in harmonious concert. The detailed views reveal the remarkable complexity of the design, where stylized waves rendered in silver-white threads create a dynamic foundation beneath naturalistic floral motifs. The flowers appear to float above this undulating pattern, their forms achieved through subtle gradations of color that suggest the influence of Western naturalistic painting techniques being absorbed into traditional Japanese textile arts during this transformative period.

The overall aesthetic anticipates the clean lines and sophisticated restraint that would characterize Art Deco design, while the masterful integration of multiple textile techniques reflects the Japanese commitment to craft excellence that was gaining international recognition during the early 1900s.

Its inner lining is meticulously handspun and handwoven. Measuring 51 inches (130 cm) from sleeve-end to sleeve-end, it stands at 60 inches (152 cm) in height.

This artwork is featured on page 57 of Art Kimono: Aesthetic Revelations of Japan, 1905-1960. This book, published by Yorke Antique Textiles, can be previewed or purchased on our website here.

and in Arts of Asia, January-February 2018, p 132.

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