This silk kimono features the auspicious shou-chiku-bai motif, a classical triumvirate of symbols representing longevity and good fortune: pine (matsu), bamboo (take), and plum blossoms (ume). The design is executed in the refined yuzen dyeing technique, which allows for painterly effects and subtle color gradations across the silk surface.

The composition demonstrates the Japanese aesthetic principle of asymmetrical balance, with flowing pine branches and delicate plum blossoms cascading across a deep black ground, while stylized bamboo stalks provide vertical structure. The motifs carry profound symbolic meaning in Japanese culture: the pine represents steadfastness and longevity, bamboo symbolizes flexibility and resilience, while the plum blossoms, which bloom in winter's harsh conditions, embody perseverance and hope. The sophisticated color palette of muted golds, soft pinks, and sage greens against the dramatic black background reflects the influence of the Rinpa school's decorative style, while the naturalistic rendering of botanical elements shows the period's embrace of both traditional Japanese aesthetics and emerging modern sensibilities.

The interior reveals an equally elaborate design, with silk and metallic embroidery adding dimensional richness to the already complex surface decoration. This attention to unseen details reflects the Japanese concept of omotenashi - the spirit of wholehearted service and attention to every aspect of craftsmanship, even those hidden from view. The overall effect creates a wearable work of art that embodies centuries of textile tradition while reflecting the refined taste of Japan's cultural elite during this transformative historical period.

It measures 49 inches (124 cm) from sleeve end to sleeve-end and stands at 63 inches (160 cm) in height.

In addition to the winter motifs, this kimono boasts a double inner lining (refer to images) intended to provide extra warmth.

This artwork is featured on page 59 of Art Kimono: Aesthetic Revelations of Japan, 1905-1960. This book, published by Yorke Antique Textiles, can be previewed or purchased on our website here.

and in Arts of Asia, January-February 2018, 133.

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