This exquisite textile originates from Japan’s early Showa period (1930–1940) and is a scholarly example of the refined, circular botanical compositions favored during the pre-war era. Measuring 14 inches by 64 inches (35 cm x 163 cm), the panel is crafted from a high-quality silk that possesses a lovely pebbly texture. The fabric occupies a sophisticated middle ground in weight: it is lighter than traditional heavy chirimen but more substantial than airy crepe, offering a graceful drape that beautifully supports its intricate surface design. This piece remains in excellent condition, preserving the clarity of its multifaceted decorative elements.

The visual narrative is set against a rich, deep wine-red ground, which provides a dramatic substrate for a series of large-scale floral medallions. These circular motifs frame delicate, multi-colored blossoms—including stylized peonies and chrysanthemums—rendered in a refreshing palette of cream-white, sky blue, and golden yellow. Scattered between these primary medallions are smaller "floating" floral clusters that create a sense of organic movement across the field. This specific use of the "roundel" format, or marumon, reflects a bridge between classical Edo-period heraldry and the softer, more romantic floral aesthetics that characterized Japanese luxury textiles in the decade leading up to 1940.

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