This striking textile originates from Japan’s early Showa period (1930–1940) and is a scholarly example of the bold, geometric abstraction that redefined meisen silk during the pre-war era. Measuring 14.25 inches by 59 inches (36 cm x 150 cm), the panel is crafted from a specific meisen variant that displays a slightly slubbier texture compared to other examples, providing a unique tactile quality. The base silk is thinner than formal damask but offers a superb drape, remaining in excellent condition.

The visual narrative is set against a saturated wine-colored ground with a subtle violet tinge. It features an oversized, rhythmic arrangement of bold "hash marks," known in Japanese textile tradition as the igeta (well-frame) motif. These marks are rendered in a high-contrast silvery grey using the kasuri (ikat) technique. The deliberate "blurring" at the edges of the silvery marks creates a sense of vibrating energy against the deep purple-red background. This minimalist yet powerful composition reflects the 1930s trend of magnifying traditional folk patterns to create a modern, architectural aesthetic that appealed to the cosmopolitan "Modern Girl" of the era.

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