This poetic textile originates from Japan’s late Showa period (1950–1980), a period that often combined traditional seasonal motifs with modern, expressive dyeing techniques. Measuring 14 inches by 64 inches (36 cm x 163 cm), the piece is a complete panel from a disassembled kimono, with all original construction threads meticulously removed to preserve its very good condition. The base fabric is a high-quality silk with a subtle blue tint, providing a cool, atmospheric foundation for the warm-toned composition. The silk is characterized by a graceful drape and a pleasant handle, making it a tactilely rewarding example of mid-to-late 20th-century weaving.

The visual narrative focuses on the momiji (maple leaf), a classic symbol of autumn and the transient beauty of nature. These leaves are rendered using a distinctive brush-stroke technique that creates delicate, sketchy outlines, giving the impression of hand-painted ink work. The leaves are depicted in rich shades of red-violet, which are beautifully enhanced by gold metallic outlining. This metallic detail adds a touch of elegance and structural clarity to the soft, organic forms of the foliage. The motifs are clustered in a central vignette, surrounded by smaller, more ethereal maple outlines that appear to float across the field, suggesting a gentle autumn breeze.

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