This silk dounuki demonstrates the sophisticated sumi-nagashi (ink-flowing) or bokashi dyeing technique, where gradated washes of gray and black pigments create atmospheric, cloud-like effects across the silk ground. The technique produces those characteristic soft, blurred transitions between light and dark areas that evoke the fluidity of ink dispersing through water or the ephemeral quality of morning mist.

The large kanji characters for "horse" (馬) appear to be executed using a resist-dyeing method, likely a form of katazome (stencil dyeing) or hand-painted resist, which preserves the white silk while allowing the surrounding areas to be saturated with the flowing gray tones. This creates a striking contrast between the crisp, geometric precision of the calligraphy and the organic, atmospheric background. The artistic approach reflects the influence of classical Japanese ink painting traditions, particularly the sumi-e aesthetic where empty space and tonal gradations are as important as the brushed elements themselves.

The horse motif carries deep symbolic significance in Japanese culture, representing strength, nobility, and swift progress—qualities particularly auspicious during the early 20th century period of rapid modernization. As an undergarment, this dounuki would have provided both practical layering and a private display of refined taste, with the bold calligraphic design creating dynamic visual interest even when largely concealed. The sophisticated interplay between traditional dyeing techniques and bold graphic design reflects the innovative spirit of Taisho-era textile arts, where classical methods were employed to create strikingly modern aesthetic effects.

It measures 49 inches (124 cm) from sleeve end to sleeve-end and stands at 58 inches (147 cm) in height.

‍