This shibori kimono posses a design demonstrating a masterful layering of pattern and texture, where large-scale tie-dyed circles in vibrant orange and coral tones float dramatically across a deep black ground that reveals an underlying peacock feather (kujaku) pattern woven into the rinzu silk base. This combination creates a complex visual dialogue between the bold, graphic quality of the shibori resist-dyeing and the subtle, lustrous texture of the figured silk weave beneath.

The aesthetic approach reflects the period's embrace of both traditional Japanese craft techniques and modernist sensibilities that were emerging in the early 20th century. The large circular motifs, achieved through sophisticated shibori binding and dyeing methods, create a sense of cosmic or celestial movement that was particularly resonant during a time of rapid cultural change in Japan. The circles themselves can be interpreted as symbols of completeness, eternity, and the cyclical nature of life - themes deeply embedded in Japanese philosophy and aesthetics. The peacock feather pattern visible in the rinzu base adds another layer of meaning, as peacocks symbolize beauty, dignity, and protection from harm in Japanese culture.

The technical execution reveals extraordinary skill in coordinating multiple textile processes. The shibori circles show subtle gradations and organic irregularities that speak to the hand-crafted nature of the resist-dyeing process, while the underlying rinzu weave demonstrates the sophisticated loom work required to create figured silk textiles. The smaller white circular motifs scattered between the larger orange circles were created through a different shibori technique.

Several tears on the silk lining.

The kimono measures 48 inches (122 cm) from sleeve-end to sleeve-end and stands at 55 inches (140 cm) in height.

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This artwork is featured on page 326 of Art Kimono: Aesthetic Revelations of Japan, 1905-1960. This book, published by Yorke Antique Textiles, can be previewed or purchased on our website here.

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