This rinzu kinsha kimono represents a masterful exploration of geometric abstraction that bridges traditional Japanese motifs with the emerging modernist sensibilities of the late 1930s. The composition demonstrates remarkable sophistication in its treatment of the fan (sensu) motif, transforming this classical symbol into a dynamic study of color, form, and spatial relationships.

The artistic genius lies in the systematic deconstruction of the traditional fan form. Rather than presenting complete, recognizable fans, the design fragments them into geometric segments - arcs and triangular sections in vibrant turquoise, golden yellow, and black that appear to float and overlap across the composition. This fragmentation technique anticipates post-war abstract art movements while maintaining connection to Japanese cultural symbols.

The alternating vertical stripes in two tones of blue create a sophisticated foundation that demonstrates the technical mastery of rinzu weaving. The optical effect achieved through the figured silk technique - where the same dye appears as different tones due to varying weave structures - adds dimensional depth without additional color complexity. These stripes function both as compositional anchors and as intervals of visual rest between the more dynamic fan elements.

The color palette reveals a distinctly modern sensibility: the electric turquoise and bright yellow suggest industrial dyes and contemporary urban aesthetics, while the deep black provides dramatic contrast. This bold chromatic approach reflects the influence of international design movements penetrating Japan during this period of rapid modernization.

From a compositional standpoint, the scattered arrangement of fan fragments creates visual rhythm while avoiding predictable repetition. The overlapping elements generate complex spatial relationships that make the surface appear to shift and breathe. This sophisticated handling of positive and negative space, combined with the interplay between geometric precision and organic distribution, creates a textile that functions as both decorative art and wearable abstraction.

There is a three-inch silk tear on the upper inner lining that remains hidden under normal wearing or when the kimono is mounted. The silk itself is of exceptional quality—soft and boasting a luxurious feel. Measuring about 48 inches (122 cm) from sleeve-end to sleeve-end, this kimono stands at approximately 63 inches (160 cm) in height.

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