This striking hand-painted artwork is an original and unique creation from Japan, dating to the Mid-Showa period (1950–1970). Measuring 12 inches by 21 inches (30 cm x 53 cm), this distinctive piece was skillfully crafted on relatively thick paper by a seasoned artisan from Kyoto’s renowned Nishijin district. It served as a high-fidelity foundational blueprint or technical prototype for the intricate woven patterns of an obi, the traditional sash worn with a kimono. The artwork remains in very good condition, showcasing a dynamic, rhythmic composition that blends classical nature motifs with the bold graphic sensibilities of the mid-20th century.

The composition is characterized by strong diagonal bands of deep teal-green, which provide a powerful structural anchor for the ornate decorative elements. Interspersed between these bands are light cream-colored panels filled with dense, multi-layered patterns, including blooming chrysanthemums, leafy vines, and a small, stylized bird nestled within a circular floral medallion. The artist has utilized a sophisticated palette of cornflower blue, golden ochre, and sage green, accented by fine, calligraphic ink outlines. Repeating borders of scalloped, feathery leaves add a sense of movement, mimicking the complex thread changes and "haku" (metallic foil) techniques found in luxury Nishijin brocades.

‍