This striking hand-painted artwork is an original textile design from Japan, dating to the Mid-Showa period (1945–1965). Originating from a professional studio in Kyoto's renowned Nishijin district, this piece was rendered on thick paper to serve as a high-fidelity blueprint for a woven obi. Measuring 12 inches by 25 inches (30 cm x 64 cm), the artwork remains in very good condition and exemplifies the bold, structured aesthetic used for formal celebratory garments in post-war Japan.
The composition features a series of large, diagonal diamond frames (hishi) set against a subtle, textured cream-grey ground. The interior of each diamond is finished in a deep midnight-green, providing a high-contrast backdrop for two alternating motifs: elaborate, multi-layered floral medallions in red, white, and purple, and smaller vignettes of orange and white chrysanthemums paired with golden drum-like symbols. The intersections of the primary diamond grid are anchored by golden, cross-like architectural braces (kumi-mono), which add a sense of regal weight to the design. Scattered loosely in the negative space are delicate clusters of smaller white and orange blossoms, balancing the rigidity of the central geometric pattern.