This vibrant and technically complex artwork is an original creation from Japan, dating to the Mid-Showa period (1945–1965). Measuring 12 inches by 40 inches (30 cm x 102 cm), this piece was masterfully crafted by an artist in Kyoto’s prestigious Nishijin district using paint and layered painted appliques on thick paper. The artwork remains in very good condition and served as the primary design inspiration for a high-end woven obi.

The composition is characterized by three large, kaleidoscopic medallions that appear to float over a rhythmic, undulating background of stylized floral vines. Each medallion is a marvel of symmetry, featuring dense layers of pointed leaves and petals that radiate from a central golden-citrine core. The top medallion transitions through shades of plum and lavender, the central one features fiery rust and orange tones, while the bottom medallion is anchored by lush forest greens. The use of physical appliques adds a structural dimension to the paper, providing the tactile guidance necessary for a weaver to translate these patterns into heavy silk brocade.

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