This distinctive textile originates from Japan’s Early Showa period (1926–1940) and is a scholarly example of the bold, graphic style popularized by meisen silk. Measuring 13.5 inches by 54 inches (34 cm x 137 cm), the panel features a deep, saturated plum or aubergine field that provides a dramatic contrast for the oversized geometric patterns. The piece remains in very good condition, showcasing the durable yet supple nature of meisen weave, which was often favored for its modern and accessible aesthetic in pre-war Japan.

The visual narrative is defined by prominent, large-scale igeta (well-frame) or "hash" motifs rendered in a soft cream tone. These symbols, traditionally representing a well-crib, were reimagined during the Early Showa era with exaggerated proportions and slightly blurred edges, a hallmark of the kasuri (ikat) dyeing process used in meisen production. The rhythmic, staggered arrangement of these blocks creates a strong vertical movement, reflecting the period's interest in combining ancient folk-art symbols with contemporary, abstract sensibilities.

‍