This  meisen silk kimono represents a striking example of Japanese textile design fully embracing international modernist aesthetics. The garment features a dynamic all-over pattern of abstract geometric forms against a deep black ground, creating a composition that feels remarkably contemporary and forward-thinking for its era.

The design consists of scattered triangular shapes, linear elements, circles, and angular forms in a bold palette of red, white, cream, yellow, and gray. The elements appear to float and intersect across the fabric in seemingly random arrangements, creating a sense of movement and energy. Some triangular forms feature internal striping or hatching, adding textural variety to the composition. Small circular dots in yellow and white punctuate the design like celestial bodies or atomic particles.

This kimono powerfully evokes several modernist art movements:

Constructivism is most prominently reflected in the geometric vocabulary, the dynamic angular compositions, and the sense of industrial or mechanical precision. The intersecting lines and geometric forms echo the work of artists like El Lissitzky or László Moholy-Nagy.

Suprematism appears in the pure geometric forms floating against the black void, reminiscent of Kazimir Malevich's compositions with their emphasis on basic geometric shapes and dynamic spatial relationships.

Bauhaus influence is evident in the functional, machine-age aesthetic and the integration of art with textile production. The design demonstrates the Bauhaus principle of bringing modernist art into everyday objects.

The meisen technique's characteristic soft edges and slight blurring actually enhance the modernist effect, giving the geometric forms a sense of movement and energy that perfectly captures the spirit of the machine age. This kimono represents a remarkable fusion of traditional Japanese garment construction with radical international design language, embodying the experimental spirit of 1930s Japanese modernism.

Condition: there is heavy patina staining on the inner cotton lining, which remains hidden when worn or displayed. Additionally, there are several light stains on the outside. Its measurements are 48 inches (122 cm) from sleeve-end to sleeve-end and 59 inches (150 cm) in height.

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This artwork is featured on page 321 of Art Kimono: Aesthetic Revelations of Japan, 1905-1960. This book, published by Yorke Antique Textiles, can be previewed or purchased on our website here.

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