This opulent textile originates from Japan’s mid-Showa period (1950–1970) and is a scholarly example of the grand, celebratory aesthetics reserved for furisode, the formal attire of young unmarried women. Measuring an impressive 15 inches by 90 inches (38 cm x 229 cm), this significant panel represents the full length of a ceremonial garment and remains in very good condition. The substrate is a high-quality silk dyed in a vibrant, saturated orange that serves as a high-energy canvas for a dense botanical narrative.

The visual narrative is dominated by oversized, hand-painted botan (peony) and kiku (chrysanthemum) blossoms that cascade vertically across the panel. The peonies are rendered in a diverse palette of ivory white, deep plum, forest green, and teal, while the radiating chrysanthemums feature bold vermilion petals with golden centers. A defining feature of this piece is its multi-layered embellishment; the blossoms are further enriched with couched embroidery and luminous highlights of gold foil (kintsugi-style accents), which provide a sophisticated three-dimensional texture and a regal shimmer. This combination of auspicious florals and metallic finishes reflects the post-war era's mastery of blending classical symbols of wealth and longevity with a radiant, modern optimism.

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