This wedding uchikake (over-kimono) from the mid-19th century exemplifies the sophisticated artistry of Japanese textile design during the late Edo period. The garment features a striking composition set against a deep teal-blue chirimen silk ground, with elaborate decorative elements concentrated along the hem in the classical asymmetrical style typical of formal kimono design. The primary motifs include a pair of golden pheasants rendered with remarkable naturalistic detail—one bird displays its magnificent plumage with outstretched wings while the other appears in a more restrained pose. These avian figures are surrounded by delicate flowering plum branches (ume) with white blossoms, creating a harmonious seasonal narrative that speaks to themes of renewal, fidelity, and prosperity appropriate for bridal wear.

The technical execution demonstrates the masterful integration of yuzen-painting and embroidery techniques, with the pheasants' feathers showing subtle gradations of color and intricate linear details that bring the creatures to life. The textile work reflects the aesthetic principles of the Rinpa school, particularly in its bold use of negative space and the rhythmic placement of natural motifs. The overall design philosophy aligns with Japanese concepts of mono no aware—the bittersweet awareness of the impermanence of things—while simultaneously celebrating life's precious moments through the wedding context.

Measurements:  48 inches (122 cm) from sleeve-end to sleeve-end and stands 62 inches (157 cm) in height.